HAIM DAYS ARE GONE AMAZON FULL

The rest of us are just going to kick back in the sun with Days Are Gone and some piña coladas.

The purists might think Haim have let the studio sessions rub the edges of their raw talent. Still, it's hard to celebrate the album’s listenability and also complain about it sounding too polished. An early release of 'The Wire,' for example, sounded like it could have been cut in the ’70s, whereas the new, ultra-modern mix simply purloins Joan Jett’s glam-rock stomp. 'Days Are Gone' um disco repleto de influncias, e mesmo assim consegue parecer diferente de tudo que aponta ter inspirado as meninas do HAIM, boa parte disso deve-se ao entusiasmo e persuaso de marcar uma estreia voltada ao que pode ser feito a partir de tentativas e experimentaes. The other mild disappointment is that the record’s three producers (including Simian Mobile Disco’s James Ford) have largely gone for sparklingly clean edits of the songs, sacrificing the enjoyable roughness of earlier, more riotous takes. Days Are Gone by HAIM (B00ECV2JGG), B00ECV2JGG, HAIM, 602537524440, 060253752444, WA-26890333 at camelcamelcamel: Amazon price tracker, Amazon price history charts, price watches, and price drop alerts. The two closing numbers, 'Let Me Go' and 'Running If You Call My Name,' allow the darkness that otherwise lurks in the background of the album to come to the fore, and fail to hit the same pitch-perfect pop notes as a result. More than that, the title track sounds like Des’ree’s 'You Gotta Be' if it had been produced by Rick James-catchy as hell, in other words. 'My Song 5' is the sort of in-your-face female empowerment anthem Beyoncé would go jogging to. Not only does it contain a handful of the most radio-friendly songs of the last few years ('Forever,' 'Falling') it packs in some fantastically crunchy R&B bangers as well. In this, they’ve been pretty damn successful. They’re a band that actively wants to make a great pop record, without getting all Kanye West about it. Haim’s rock-pop sound (think Tango In The Night-era Fleetwood Mac) is bright and breezy-just like the girls themselves, who’ve managed to keep laughing and joking through the exponentially building hype. This lightness of tone is a large part of the appeal of Days Are Gone, the band’s debut album.

Even their most bitterly romantic songs like 'Better Off' and 'Forever' are funkified to the point where the nights spent crying that inspired them are distant memories-or at least have been repressed by piña coladas. They’re taking it easy: something they do a lot of. Fair to say Haim can set their sights high as they unveil Days Are Gone.Californian sisters Este, Danielle and Alana Haim appear on their album cover sitting in deck chairs, wearing sunglasses. All three trade vocals throughout the album and can shift from instrument to instrument with ease. Lucky for these musical sisters their musicianship is as stellar as their craftsmanship.

HAIM DAYS ARE GONE AMAZON FULL

And much like the music they draw from Haim have a knack for coming up that big, undeniable hook as you'll hear on 'The Wire', 'Falling' and 'Forever'.ĭays Are Gone is full of catchy moments like the aforementioned, and there's going to be a wide appeal for what they do. From classic inspirations like Fleetwood Man and Tom Petty to 80s synth rock and modern day R&B, these girls pull from across the board. Musically the touchstones are fascinating as their transcend genres and decades of music. Their comfort in front of an audiences translates to ease in the studio. The girls are not just dynamic, but confident in their vision. Their years performing pay immediate dividends on Days Are Gone. Energized and with a musical ambition fully realized, Haim arrives with major ambitions on their first album Days Are Gone.

XPN Morning Show w/ Kristen Kurtis & Bob Bumberaįrom playing in a family band with their parents to touring with Julian Casablancas of The Strokes and Jenny Lewis performing has been a constant all their lives.

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